The Anatomy of the Soul: How Art and Music Unite Truth, Beauty and Goodness — Part 2

When we speak of truth, beauty, and goodness, we often imagine three separate pursuits — the scholar seeking truth, the artist seeking beauty, and the saint seeking goodness.  Yet Pope Francis and the great philosophers before him remind us that these three are not rivals but reflections of the same divine source.  Each reveals a different aspect of reality, and only when all three are in harmony does the human spirit find peace.

Tradition tells us that truth belongs to the intellect, beauty to the heart, and goodness to the will.  Truth teaches us to see, beauty teaches us to feel, and goodness teaches us to choose.  In that triad we discover the anatomy of the soul — knowing, loving, and willing, each distinct yet inseparable.

But there is another path by which these virtues speak: the language of art and music.  Long before we understood moral codes or philosophical systems, humanity painted, danced, and sang.  In rhythm and color, in sound and silence, we expressed truths too deep for logic and too vast for words.  Art and music, properly understood, are not escapes from reality — they are revelations of reality’s depth.

Beauty as the Gateway to the Soul

Beauty is the most immediate of the transcendentals.  Truth demands patience, goodness requires effort, but beauty strikes us like lightning.  It does not ask permission.  A single note, a brushstroke, or a line of poetry can pierce our defenses and open the heart where argument cannot.

This is why great art has moral and intellectual power.  It awakens us from indifference.  The experience of beauty — genuine beauty, not the glamour of surface or sentiment — lifts the soul toward truth and goodness without coercion.  It shows us what could be, and in doing so, reminds us what should be.

Aquinas called beauty “the splendor of truth.” The artist does not invent beauty but unveils it.  Every authentic work of art — whether sacred or secular — is a momentary unveiling of reality’s inner harmony.  It is truth made radiant, goodness made alluring.  Beauty does not lecture; it invites.  It does not command; it beckons.

The Role of the Artist

Artists are translators between the visible and invisible worlds.  They take the raw materials of existence — light, sound, form, gesture — and reveal within them an order we might otherwise overlook.  In doing so, they help us perceive truth through the lens of beauty.

A number of years ago, my first wife left me for another man.  He was also married but decided not to leave his wife.  My wife (Julie) and I reconciled and agreed to first resolve some issues by visiting a councilor.  These efforts did not go very well.  I was angry and hurt.  I did not know what I had done wrong.  My wife was also hurt and angry.  I had always thought that we had a lot in common.  At one of our first counseling sessions, the councilor noted that I did not display any emotions.  I was quite proud of being rationale and not letting feelings get in the way of my world.  In fact, I thought Spock was too emotional despite his public image as being stoic and logical.

The councilor mentioned my lack of emotions to my wife.  Her reply stunned and hurt me very much.  She said, “I always thought everyone had feelings, but I finally came to believe that John has no feelings.”  I left that counseling session resolved to find some of the feelings that I had ignored.  I decided the best way was to try to be more creative and less rationale.  I signed up for art classes and ballet classes and decided to listen to more classical music.  It was another nine months or so before Julie and I finally reconciled.  During this period, I actually participated in a ballet, painted several nature pieces (which I thought were quite good) and spent days at the library listening to as much classical music as possible.

When art forgets truth, it becomes hollow display.  When it forgets goodness, it becomes manipulation.  But when truth and goodness dwell within beauty, art becomes what it was always meant to be: a mirror of creation’s wholeness.  I was looking for my wholeness and my humanity which are also inseparable.

The artist’s vocation, then, is not self-expression alone but world-expression — to make the invisible visible, to translate the ineffable into form.  The true artist is not a manufacturer of objects but a servant of insight.  Their success is measured not by applause but by the awakening they cause in others.  In my case, it was an awakening in myself.  Art and music became the pillars of my salvation.  I rediscovered my humanity in them.

The Music of Being

Among all the arts, music comes closest to expressing the order of the soul.  It moves directly through time, breath, and rhythm — the same elements that animate life itself.  Every heartbeat, every inhalation, every step is a kind of music.  When we listen to or create music, we participate in a pattern that mirrors the pulse of existence.  Martin Luther said “”Next to the Word of God, music deserves the highest praise.”  Karen has this quote framed in our dining room.

Music unites truth, beauty, and goodness in motion:

  • Its structure and harmony express truth — order and proportion.
  • Its melody and color express beauty — emotion and wonder.
  • Its rhythm and purpose express goodness — direction and intention.

That is why even those who cannot explain music are changed by it.  It aligns the intellect’s search for order, the heart’s hunger for beauty, and the will’s longing for purpose.  To make or hear music well is to experience harmony not only in sound but in being.

When I was in the third grade at PS 171 in Brooklyn, NY, the teacher put all of us into a choir or singing group.  She acted as the conductor and started us out singing some song that she had taught us.  I sang along with the rest of the kids until suddenly, my teacher yelled “Who is making that noise?”  “You (she pointed at me), it’s you.” “Don’t sing” she screamed at me.  “Just open and shut your mouth.”  That was 70 years ago and to this day, I do not sing. Oh, people say I should get over it, but they are not living in my shoes.  I listen to music more than most people in the world.  I love all types of music.  But I do not play music, and I do not sing.

Plato believed musical education shaped character because harmony trained the soul toward moral order.  The disordered person, he said, was “out of tune.” Modern psychology would agree that we feel peace when the elements of our life are in rhythm — thought, emotion, and action resonating together like chords in balance.  In this sense, every moral life is a composition, every soul a symphony in progress.  My soul resonates with music, and the music resonates in every fiber of my body.  If I could be born again as anything, I would be a tenor singing in the great opera houses of the world.  I love the passion, drama and lyrics that fuse life into melodies that make time stand still for me.  Somehow the strains of music have a purgative effect on the pains and disappointments that can sometimes fill my life.

The Sacred and the Profane

Not all art is beautiful in the pleasant sense.  Some truths are too painful to adorn.  Yet even tragedy, if it reveals reality faithfully, can serve beauty’s higher calling.  A requiem, a lament, or a poem of grief can be beautiful because it tells the truth of human suffering while still pointing toward transcendence.  It is like watching a sad movie.  We connect to others through the suffering that art and music can convey.  Of course, music often conveys joy and happiness, but these are bonuses in a world today where suffering seems to be the norm.

Sacred art makes this explicit.  It does not flatter the senses but reorders them toward the divine.  The frescoes of Michelangelo, the cantatas of Bach, the icons of the Orthodox tradition — each embodies beauty that leads beyond itself.  Their purpose is not entertainment but transformation.  They invite us to see through the surface of the world into its divine origin.

But even the so-called profane arts can serve the same purpose when they reveal authentic experience.  A rap song, a nursery rhyme, a portrait of a tree, a romantic novel — each can bear truth if it arises from sincerity and respect for life’s depth.  I had an MRI today and as I listened to the banging, clanging, whistling and other sounds, I could hear a melody emerging.  I thought of penning a song called “Melodies in an MRI.” The sacred is not confined to churches; it inhabits every honest act of creation.

The Moral Dimension of Beauty

Beauty’s moral power lies in its capacity to attract us toward goodness.  Moral laws can instruct, but only beauty can enchant.  We are moved to do good not merely by obligation but by love for what is good.  Beauty provides that love.

This is why ugliness — deliberate distortion and cynicism — corrodes the soul.  It teaches us that nothing matters, that form and harmony are illusions.  When culture celebrates ugliness, it signals despair; when it honors beauty, it declares hope.  True beauty does not deny suffering; it gives suffering meaning.

The 20th-century theologian Hans Urs von Balthasar wrote: “We no longer dare to believe in beauty, and we make of it a mere appearance in order the more easily to dispose of it.” He warned that without beauty, truth and goodness lose their persuasive power.  In other words, without art and music, morality becomes sterile, and truth becomes abstract.

Beauty is not the soft edge of morality — it is its living energy.  It whispers to the will, “Choose life, not despair.”

The Soul as an Instrument

If truth belongs to the intellect, beauty to the heart, and goodness to the will, then the soul is the instrument through which they resonate together.  Like a violin, it must be tuned.  The strings of mind, emotion, and desire can each sound discordant when isolated.  Harmony arises only when they are stretched to the right tension and played in unity.

Art and music help tune the soul.  When we create or contemplate beauty, we sense the right relation of parts to whole, of the finite to the infinite.  We remember that life itself is composed — not chaos but cosmos.  In that moment, we are most alive, most human, and perhaps most divine.  The god we seek flames within us at these moments.

That tuning is not limited to artists.  Every person can live artfully.  A kind word spoken at the right time, a well-prepared meal, a garden tended with care — each is a small act of aesthetic and moral order.  In that sense, the moral life and the artistic life are one: both seek to make the world more beautiful and more true.  I find my muse in writing.  I like to think that I am somewhat good at using words.  When I was in high school, other students used to pay me to write their essays for them.  I remember one friend who asked me to write something for him.  I told him that he should do it himself.  He said, “But you are so good at writing.”  He was a musician, and  I challenged him, “Is it possible to be a better musician if you do not practice?”  He agreed practice was essential but said that he would rather practice playing music than practice writing.  I wrote the essay for him.  It was only logical as Spock would say.

The Silence Beyond the Sound

At the heart of music is silence.  Without it, the notes have no shape.  Silence frames beauty the way space frames form.  Likewise, the soul needs silence to perceive truth and goodness.  In our noisy age, we risk losing the capacity for this interior listening.  Yet every deep encounter with art or nature — every moment when beauty stops us — restores that silence within.  I learned to appreciate the beauty of music in my many hours sitting inside that library booth listening to the strains of Mozart, Beethoven, Bach and many other great musicians.  I am fond of saying that I never “met a food that I did not like.”  The same applies to music genres.  There is something in every genre of music that speaks to my heart and my soul hears.

The silence after a great symphony or before a sunrise is not emptiness.  It is presence — the awareness that life itself is music being played through us.  To live in that awareness is to live in gratitude.  Gratitude, in turn, is the purest harmony of truth, beauty, and goodness.  Ingratitude, St. Ignatius said was the “Gateway to all sins.”  How difficult it is to remember this for so many of us including myself.

Conclusion: Living Artfully

Art and music are not ornaments to life; they are its inner logic.  They teach us that creation is not random but composed, that our task is not to control the score but to play our part faithfully.  When truth informs our minds, beauty moves our hearts, and goodness directs our wills, we become participants in the divine symphony rather than spectators.

To live artfully is to live beautifully.  To live beautifully is to live truthfully.  And to live truthfully is to live for goodness. 

In the end, every human life is a work of art in progress — sometimes dissonant, sometimes serene, always unfinished.  Yet even our imperfections can contribute to the greater harmony if we keep tuning ourselves to the eternal themes of truth, beauty, and goodness.  Perhaps this is the greatest truth that we all need to discover.  As Pope Francis said “Truth, beauty and Goodness” are inseparable.

When we do accept this truth, we will find that the music of the soul is already playing, quietly, beneath the noise of the world — waiting only for us to listen.

Author’s Note:

Portions of this essay were developed in collaboration with “Metis,” my AI writing partner powered by OpenAI’s GPT-5.  The ideas, direction, and final reflections are my own, shaped through a dialogue intended to illuminate and refine the themes explored here.

The Sacred Triad: How Truth, Goodness, and Beauty Shape Our Humanity — Part 1

I made my 42nd retreat at the Demontreville Retreat Center in Lake Elmo this past September.  Two strong influences on my life have since passed away who were connected to my retreats.  The first was Father Sthokal S.J.  A man who spent 54 years of his life at this center.  Thirty-four of my retreats were spent with Father Sthokal at the center.  Father Sthokal died in 2020.

This year a new dormitory was built in his memory and named Sthokal Hall.  I was fortunate enough to have a room in this new hall.  With the air conditioning, outside patio and coffee bar it was quite a pleasure.  The memories of the words of Father Sthokal infuse the entire retreat center but perhaps more so in the new hall.

The second great influence on my life was Pope Francis who died in April of 2025 this year.  Cardinal Jorge Mario Bergoglio was ordained Pope in 2013.  When he became Pope, the Catholic Church was facing a major crisis.  I read about the new Pope at my retreat that year and thought “surely they are going to assassinate him.”  He posed a challenge to an established and often corrupt Vatican administration which was mired in the past.  Pope Francis set about to change the order of things at the Vatican.  He did this to a surprising degree.  He was also a profound and prolific writer.

At the retreat center, we have a small library full of books dealing with all aspects of spirituality.  The year that Pope Francis was ordained, I picked out a book that he had written. I could not put it down.  I read it on my walks around the monastery as a means of reflection and contemplation.  Every year when I came back, I found something else that Pope Francis had written.  His writings made a difference on my life.  His thoughts on mercy and justice and social responsibilities still ring in my head.

This year, I went looking for something by the new Pope Leo XIV in the library but could find nothing.  I had read everything by Pope Francis and thought that surely the new Pope would have some writings.  We also have a little kiosk of sorts at Demontreville where you can purchase sundries including rosaries, candy, prayer books and some bathroom items.  While passing by the kiosk, I stopped to look at the prayer books thinking that I had purchased most of them in the past.  Then I saw one that I had not seen before.  It was called “A Year with Pope Francis” and it included a series of daily reflections from his writings.  I purchased it and brought it back to my room.  The day was September 20th and the reflection for that day was “Always remember that truth, beauty and goodness are inseparable.” 

This thought really struck me.  I did not know what it meant.  How could they be inseparable?  How did they fit in with the life that one needed to live to find meaning and purpose?  Following my retreat, I started tracing the etiology of Pope Francis’s thoughts.  As with many subjects, the history of this idea goes back centuries.  In this blog and the one following, I want to share some of the impact that this idea had on me and can have on the lives of all of us.  I have used a combination of my own ideas as well as research and reflections with ChatGPT.  I go back and forth with my AI partner to discover thoughts and ideas and to refine my thinking.  Many of these ideas come from saints, philosophers and other thinkers from the past.  My channel to the past is Pope Francis and AI.

When Pope Francis spoke of Truth, Beauty, and Goodness as inseparable, he was not offering a poetic slogan.  He was reminding us that these three values — long revered since Plato and Aquinas — describe the full stature of the human soul.  When any one of them is lost or diminished, the others soon fade.  Truth without goodness becomes cold and cruel.  Beauty without truth becomes deceptive.  Goodness without beauty becomes joyless duty.

In the modern world, we have grown accustomed to fragmentation.  We analyze without compassion, feel without understanding, and act without reflection.  But life only finds meaning when our thinking, feeling, and doing are woven together — when the mind, heart, and hand move as one.  The harmony of these dimensions is not a luxury for saints or philosophers; it is the quiet work of becoming fully human.

I. Thinking, Feeling, and Doing — Three Dimensions of Being

Human beings are triadic creatures.  We live through three interlocking faculties:

  • Thinking – our capacity to seek truth, to question, to discern what is real.
  • Feeling – our capacity to sense beauty, to be moved, to connect and care.
  • Doing – our capacity to enact goodness, to choose and to build what should be.

The philosopher’s triad (Truth–Beauty–Goodness) and the psychologist’s triad (Thinking–Feeling–Doing) are not two separate models.  They describe the same reality from different directions.  One names the qualities we seek; the other names the faculties we use to reach them.

Thinking without feeling leads to cynicism; feeling without doing leads to sentimentality; doing without thinking leads to folly.  When all three are united, the result is wisdom — not the kind found in textbooks, but the lived wisdom that radiates from people who see clearly, love deeply, and act justly.

II. The 3×3 Matrix of Integration

To visualize their relationship, imagine a simple grid.  Across the top: Truth, Beauty, Goodness. Down the side: Thinking, Feeling, Doing.
In each cell lies a different way of being human — nine ways of aligning the head, heart, and hand.

Truth Beauty Goodness
Thinking Wisdom — understanding reality as it is Wonder — perceiving harmony and meaning Conscience — discerning what ought to be done
Feeling Empathy — sensing truth through others’ eyes Joy — feeling beauty in all things Compassion — feeling goodness as care
Doing Integrity — acting in truth Creativity — embodying beauty through action Justice — realizing goodness in the world

This matrix is not an abstract diagram; it is a mirror. Each of us can find ourselves somewhere within it on any given day.

III. When the Triad Fractures

The modern world often tears these apart.

Truth without goodness becomes sterile knowledge — the scientist who measures everything but values nothing, the pundit who knows every fact but forgets every face.
Beauty without truth becomes vanity — the glossy perfection of advertising or social media, beauty used to manipulate rather than to inspire.
Goodness without beauty becomes moralism — well-intentioned people who do right but radiate no joy, whose kindness feels obligatory rather than free.

Likewise, when our own inner triad splits, we feel lost.
We may think brilliantly but feel numb.
We may feel deeply but never act.
We may act endlessly but without understanding why.
Each imbalance carries its own suffering — confusion, anxiety, or burnout. The cure is not more effort but more integration.

IV. Thinking Aligned with Truth

The first step toward wholeness begins with how we think. Truth asks us to see the world as it is — not as we wish it to be.  Thinking in truth means facing facts, admitting mistakes, and refusing to let ideology replace inquiry.

But truth is not limited to intellectual accuracy. It is also moral clarity — a refusal to lie to ourselves. When we think truthfully, we free ourselves from illusion.  We develop what the ancients called Sophia — wisdom.  Wisdom joins knowledge to humility.  It recognizes that truth is not possessed but pursued.

V. Feeling Aligned with Beauty

Beauty, said Dostoevsky, will save the world. But not the beauty of cosmetic perfection.  True beauty awakens wonder and gratitude.  It is the radiance of harmony — a sunset, a melody, an act of forgiveness.  Feeling beauty means allowing the heart to be touched, even wounded. It calls us to empathy — the ability to enter another’s experience and still see the light within it. In a cynical age, this is an act of resistance.

When feeling is shaped by beauty, life regains texture and meaning.
We begin to notice small miracles: the laughter of a child, the discipline of a craftsman, the resilience of someone who refuses to give up.  These glimpses of beauty soften us.  They remind us that beneath the noise and ugliness of the world, there is still something worth cherishing.

But feeling must not end in sentimentality.  Beauty moves us to love, and love — if it is genuine — demands action.

VI. Doing Aligned with Goodness

Goodness is truth and beauty made visible.
It is what happens when we act from conscience, not convenience.  Doing good is rarely glamorous.  It often means small, consistent acts of courage: listening instead of judging, volunteering when no one notices, speaking truth to power even when afraid.

Goodness without action is merely intention.  To “do” goodness is to give it form — through justice, kindness, and creative service.  A teacher who inspires curiosity in children, a nurse who comforts a frightened patient, a neighbor who plants trees for the next generation — all are artists of goodness.

Goodness is contagious.  One act done well invites another.  In a divided world, each small deed of integrity pushes back against despair.  As Pope Francis reminds us, “Reality is more important than ideas.” The good we do embodies the truths we believe and the beauties we feel.

VII. The Intersections — Where Wholeness Is Born

Each intersection in the matrix is a doorway to transformation.

  • Thinking × Truth → Wisdom
    To think clearly in a confused age is a moral act.
  • Feeling × Beauty → Joy
    To let beauty move us is to say yes to life.
  • Doing × Goodness → Justice
    To act rightly even when inconvenient is the seed of renewal.

But the deeper magic lies in the crossings between columns:

  • Thinking + Goodness (Conscience): we discern what should be done.
  • Feeling + Truth (Empathy): we understand others from the inside.
  • Doing + Beauty (Creativity): we make the world more radiant.

When these elements feed one another, we experience alignment — a state of inner peace that radiates outward. We stop living in fragments and begin living as whole persons.

VIII. Everyday Applications

How might this integration appear in ordinary life?

  1. In Conversation
    Before reacting, we think (truth), we feel (beauty through empathy), and we act (goodness through restraint or honesty). The result: communication that heals rather than divides.
  2. In Work
    Whatever our craft — teaching, building, healing, writing — we can strive for accuracy (truth), care (beauty), and fairness (goodness). Excellence becomes not a competition but a form of love.
  3. In Community
    A society guided by truth builds trust.
    A society that celebrates beauty cultivates joy.
    A society committed to goodness ensures justice.
    When one of these is missing, culture decays. When all three flourish, community becomes communion.

IX. The Spiritual Thread

The unity of Truth, Beauty, and Goodness is not just psychological; it is spiritual.  Each reveals an aspect of the divine image within us.

  • Truth reflects the Mind of God — the eternal Logos, the pattern behind all creation.
  • Beauty reflects the Heart of God — the harmony and joy woven into being.
  • Goodness reflects the Will of God — the self-giving love that sustains the world.

To live these values is to participate in the divine life, whether we use theological language or not.  I am an Atheist but every human being, consciously or unconsciously, seeks these three.  Call their reflections God, or Karma or Goddess or Divinity, they are the compass points of the soul.

X. Reweaving the World

Our age suffers not from lack of knowledge but from disconnection.  We have mastered the science of information but lost the art of integration.  We are clever but not wise, expressive but not empathetic, busy but not good.

Reweaving the world begins with reweaving ourselves. Each time we align our thoughts with truth, our feelings with beauty, and our actions with goodness, we mend a small tear in the fabric of humanity.

Start simply. Ask three questions at the end of each day:

  • Did I think truthfully today?
  • Did I feel beauty and let it move me?
  • Did I do at least one thing that was good?

Over time, these questions become habits, and habits become character. The goal is not perfection but harmony — to be a person through whom truth shines, beauty blossoms, and goodness flows.

XI. Closing Reflection

The poet John Keats once wrote that “Beauty is truth, truth beauty — that is all ye know on earth, and all ye need to know.”  Pope Francis extends that vision: when beauty and truth walk hand in hand, goodness inevitably follows.  The three are not separate paths but a single road leading home.

To think rightly, to feel deeply, and to act justly — this is the trinity of human wholeness. Each of us, in our own small sphere, can live this harmony.  When we do, we not only become better people; we help the world remember what it was always meant to be — a place where truth enlightens, beauty delights, and goodness redeems.

In Part 2 of this blog, I want to weave the relationship between Goodness, Truth, Beauty with Art and Music.  I attended a wonderful workshop/performance a few days ago by Mark Ochu at the Desert Rose Bahai Institute in Eloy Arizona.  Mark is a “Visionary Pianist” who was presenting  “A Listen and Learn” Piano Concert reflecting on the life of Franz Liszt.  Mark weaves in art, history and music to tell the story of Franz Liszt and his relevance to modern music.

Mark combines piano and lecture.  His performance made me realize that in my earlier reflections on Truth, Goodness and Beauty,  I had not included the role that music and art play in life.  In Part 2, I want to weave this into the texture and fabric of the mosaic that I am trying to create.  Much like my wife’s quilts or perhaps the kaleidoscopes that I love, life can be a beautiful tapestry that brings all of us joy and meaning.  We have only to put the elements in place in our lives to bring out the true nature of humanity.  A nature that transcends violence, vengeance, war and retributions.  Watch a concert sometime and look at the peace and harmony that the performers share with each other.  Now imagine that every soldier in the world was carrying a flute or violin or oboe instead of a weapon of destruction.

Author’s Note

Portions of this essay were developed in collaboration with “Metis,” an AI writing partner powered by OpenAI’s GPT-5.  The ideas, direction, and final reflections are my own, shaped through a dialogue intended to illuminate and refine the themes explored here.

Sin and Evil

I hope you will excuse the apparent redundancy in the title of this blog.  I had started it as Sin and the Serial Killer but then decided it would be Sin and the Mass Killer.  I wanted to include spree, serial and mass murderers in this treatise on sin and evil.  The title, Sin, Serial Killers, Spree Killers and Mass Murderers: Why are they Evil?, just seemed too long.  Actually, if you think Sin and Evil are redundant, I can assure you they are not the same. 

When I was a young boy going to a Catholic School called Mount St. Francis, I learned that there were two types of sin:  Venial and Mortal.  A Mortal sin (if un-confessed at death) would earn you a one way ticket straight to hell.  No stops along the way.  A Venial sin would get you into a place called Purgatory.  If I remember correctly, Purgatory was a lot like hell, you did not get to see God and it was awfully hot. However, a ticket to Purgatory could eventually be exchanged for a ticket to heaven.  You merely had to sit in Purgatory for some length of time and then you would be allowed to change your place of residence.

Way back then, and even today, I had a hard time trying to figure out what were Venial Sins and what were Mortal sins.  Perhaps this is why I rejected the catechism of Catholicism and eventually all of organized religion.   The nuances and intricacies of getting to heaven or hell were beyond my cognitive capacities.  For instance, one of my great pleasures “Masturbation” was good for a ticket to hell.  I cannot tell you how many tickets I earned to hell while deriving great pleasure from this pastime.  I still cannot understand why something that hurts no one, including myself and is actually a great deal of fun would be deemed a Mortal sin.  Neither can I give you an example of a Venial sin since I think I never committed any.  Somehow all of my sins at the time were Mortal:  Disobeying my parents, taking the Lord’s name in vain and having sex without marriage.  I was good for at least 50 Hail Marys’ at every confession I went to. 

So since we cannot define sin, can we say that there is no sin?  Assuredly you would answer NO!  Sin is Evil.  If so, then we must define evil.  If we say that evil is committing a sin, then we really are being redundant.   Perhaps looking at some definitions of evil might help us with this problem.  Here are some various definitions of evil:

  • Profound immorality, wickedness, and depravity, esp. when regarded as a supernatural force.
  • According to the Bible evil becomes a reality in the very beginning with the first couple. Sin produces evil. Gen 2:9, the tree of life was also in the midst of the garden, and the tree of the knowledge of good and evil.
  • Although the Bible meaning of evil includes the idea of sinfulness or wickedness in many cases, it also has a broader meaning that is commonly used. In this broader meaning, evil refers to those things that are generally thought of as bad or undesirable; or as the dictionary says, “causing pain or trouble.” This would include things such as wars or disease and this is the kind of evil referred to in Isaiah 45:7.

I think you can easily see that the common definitions of sin and evil are not very helpful on a day to day basis.  It could be argued quite easily that one person’s sin is another person’s good.  Or that sin and evil are simply social conventions defined by majority thought.  Wars and disease are part of the normal fabric of life and when were any political leaders ever consigned to hell because they declared war?  It seems like a rather good idea but I don’t see it happening anytime soon. 

I suppose you are expecting me then to make a case (perhaps already started) that there is no such thing as sin or perhaps even evil?  Actually, I want to argue the opposite.  The older and I hope wiser I have become the more I see that Sin and Evil actually do exist.  Sin and Evil are behaviors that create havoc and devastation in the world. 

My path to this conclusion lay in my thinking about mass murderers.   Much of the general public are fascinated by the subject of serial killers.  It would seem that at least ½ of the novels on the best seller list have serial killers as their theme.  We are intrigued and perplexed by trying to understand why anyone would commit the crimes (a legal term as I use it and not to be confused necessarily with sin or evil) that these individuals do.  If anything could be generally agreed on as evil by most people, it would be these types of murders, including; spree, serial and mass type executions done by individuals and not sanctioned by state or governmental authority.  So we do have at least one area that we can agree on as evil.  Perhaps a definition of evil as applied to such killers would be:  “The taking of random innocent lives by unknown assailants for no apparent purpose.”  But then are these killers also sinners?   Again, you would readily answer yes to this question, but why?  Where in the Bible does it condemn mass killings as sinful?  The Old Testament is full of mass killings perpetrated for gain and convenience.  What sets the mass murderer apart from the murders perpetuated by one society against another society?  Is there any difference? 

I think the answer is yes.  If you look at the motivation of the mass murderers, people like Bundy, Gacy, Dahmer and many others you will find some common purposes.  Wikipedia defines the “motives” of serial killers as: 

The motives of serial killers are generally placed into four categories: visionarymission-orientedhedonistic and power or control; however, the motives of any given killer may display considerable overlap among these categories.  Wikipedia

What does not emerge from this typology is the rather obvious fact that in each case, the perpetrator has destroyed something and created nothing.  All mass murderers destroy and leave nothing of any value for the world.  They gain their joy from the act of destruction. Whether they torture their victims or kill them all in mass with a bomb, mass murderers derive their pleasure at the moment of destruction.  Everything else connected with their heinous crimes are prelude and postscript.  Nothing gives the mass killer more pleasure than their ability to destroy and their anticipation of destruction.  The literature is full of examples of impotent murderers who were able to achieve potency only at the point of the actual murder of their victims.  This has been true in mass killings as well as individual killings. 

If Evil is the destruction of life, then Sin is the arrogation of the power to destroy life by an individual.  It has often been claimed that there is a Yin and Yang in the world and that Good is the opposite of Evil.  Or that the Devil represents Sin and Evil and God represents Virtue and Goodness.  I believe this is wrong.  It is a false dichotomy.  The mass killer wants to be like God.  God is the ultimate power.  The Devil cannot stand up to God.  In the madness of the mass killer, they want to experience the power of God.  However, there is a grave difference between the power of God and the power of the Devil.  The Devil only has the power to destroy.  God has the power to both create and destroy.  But the destruction of the Devil and the destruction of God are not the same. The destruction that God creates is a cosmic destruction that is part of the cycle of life.  God’s destruction perpetuates creation by allowing a continuous cycle of birth and rebirth throughout the universe.  The Devil’s destruction creates nothing except evil.  The mass killer destroys but never creates.  On a more limited scale, vandals are evil because they destroy without creating anything. 

To conclude then, I would define Sin as the taking of power to destroy by an individual without the responsibility to create.  Evil is destruction without the creation of value.  Someone who destroys something may be guilty of both being Sinful and Evil.  The mass murderer wants to be like God and to experience the power of God but in the end fails.  Humans can never have the power to create life except where some life did not first exist.  The definition of God is one who can give life and can also take it away.  I know not whether there is a God as defined by organized religion but there is a power in the universe which perpetuates a creative cycle of birth and rebirth or creation and destruction.  There are also those people who have more in common with the Devil since they only destroy.  This is the evil of the mass murderer and any who would be God without the responsibility to create as well as to destroy. 

Time for Questions:

What do you think Evil is?  Do you think the Devil really exists?  What is Goodness?  Can humans be both good and evil?  When does anything become pure evil?  Do we really need a God in the world?  Why or Why not?  What role does God play in your life?  What role does the Devil play? 

Life is just beginning.